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Musical Theater Songs You Shouldn’t Sing for Auditions

3 min read

Going into an audition, we often wonder what some good songs are to sing that will impress the audition panel.   One thing that surely won’t impress the judges is if you sing an overdone song. Overdone songs are painful to listen to and it won’t catch a judge’s attention, but it will definitely bore them. Below is a list collected from around the internet of songs you should definitely steer clear of!

Image Source: www.nytimes.com

1. Overdone Songs

We all know songs that are played way too much on the radio, so imagine if you’re auditioning people for a show, and all they did was sing the same 5 songs over and over. Those are overdone songs, overdone to the point where directors might get angry at you for even thinking you could sing that song without any consequences. Songs that are definitely overdone is anything from “Wicked”, “Phantom of the Opera”, “Thoroughly Modern Millie”, or any Disney film. This isn’t to say that you absolutely can’t sing these songs, but I highly suggest that you don’t sing any songs from the musicals listed above or anything similar to it because I guarantee the director will not be impressed.

Image Source: www.blumenthalarts.org

2. Anything that is on Broadway right now

If there is a show on Broadway right now and you think you should sing a song from it to impress the judges, do not sing that song. Since it’s on Broadway, it’s easily comparable and little room for mistake or ability to make it your own.

3. Any Signature Songs

Signature songs are best described as songs that can be associated with a certain person. Ever heard of a little song “Somewhere Over the Rainbow”? Of course you have because it’s iconic! That song is immediately associated with Judy Garland, which is another reason to steer clear of signature songs. Since they’re so well-known, there is also very little room to make it your own because the person who made it famous, basically, did it the best.

Image Source: garywrightonline.blogspot.com

4. Songs You Don’t Know the Meaning Behind

Nothing is worse than watching someone try to portray a song or lyrics if they don’t know the song and the song’s meaning. Make sure they you do your research beforehand and watch the musical to get the full gist of the song before you try to audition with it. Sometimes, the audition panel can ask you what the song is about, and they will probably know if you’re making up some story that has nothing to do with the musical itself. Nothing is more obvious than when someone doesn’t really know what they’re singing about. You would also be doing yourself a disservice if you didn’t know what it’s about because then you can’t emotionally connect to the song and show the judges what you’re made of.

Image Source: takelessons.com

Top Songs to Avoid at an Audition

“Popular” from Wicked
“Defying Gravity” from Wicked
“For Good” from Wicked
“Gimme Gimme” from Thoroughly Modern Millie
“Not For the Life of Me” from Thoroughly Modern Millie
“I Dreamed a Dream” from Les Misérables
“On My Own” from Les Misérables
“Bring Him Home” from Les Misérables
“Castle on A Cloud” from Les Misérables
“Empty Chairs” from Les Misérables
“If I Loved You” from Carousel
“Maybe” from Annie
“Tomorrow” from Annie
“Somewhere Over the Rainbow” from The Wizard of Oz
“Astonishing” from Little Women
“Vanilla Ice Cream” from She Loves Me
“Anthem” from Chess
“Much More” from The Fantasticks
“All That Jazz” from Chicago
“Mr. Cellophane” from Chicago
“It’s A Privilege to Pee” from Urinetown
“Don’t Rain on My Parade” from Funny Girl
“I’m the Greatest Star” from Funny Girl
“Still Hurting” from The Last Five Years
“Watch What Happens” from Newsies
ANYTHING from Phantom of the Opera
ANYTHING Andrew Lloyd Weber in that case
“Johanna” from Sweeney Todd
“Not While I’m Around” from Sweeney Todd
“Springtime For Hitler” from The Producers
“Santa Fe” from Rent
“I’ll Cover You” from Rent
“I Can Go The Distance” from Hercules
“Mama Who Bore Me” from Spring Awakening
“Adelaide’s Lament” from Guys & Dolls
“Being Alive” from Company
ANYTHING from Hair
“Shy” from Once Upon A Mattress
“Stranger of the Rain” from Once Upon A Mattress
“I’m Alive” from Next to Normal
“Purpose” from Avenue Q
“Suddenly Seymour” from Little Shop of Horrors
“Take A Chance on Me” from Little Women
“Gorgeous” from Apple Tree
“Good Morning Baltimore” from Hairspray
“Memory” from Cats
“I Hate Men” from Kiss Me Kate
“This is The Moment” from Jekyll and Hyde
“Big Spender” from Sweet Charity
“Corner of the Sky” from Pippin

Image Source: www.mrqe.com
There are some exceptions to these songs though! If you are absolutely, 100% amazing at singing one of these songs and you know you can nail it, then feel free to do it! However, if you feel that your voice only sounds okay, or just good, with one of these songs, then definitely avoid it! If you avoid these songs, you’re sure to have a better audition and catch the attention of the audition panel than people who sing the same 3 songs over and over!

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Singing

40 Easy Guitar Songs You Can Learn Overnight

6 min read

When you want to entertain your friends, bring out a guitar and lead them in a medley of these easy guitar songs. There are tunes from many musical genres that you can seemingly learn overnight to make sure you’re ready for the next singalong. Each of these popular songs has a unique history and no more than four chords.

Country

European settlers brought acoustic guitars to America when they emigrated. Country music then developed in regions surrounding the Appalachian Mountains, evolving as the melodies absorbed elements from other types of music. Guitars were popular as they were both inexpensive and portable.

Two-Chord Songs

“Achy Breaky Heart” by Billy Ray Cyrus spurred a renewed interest from younger listeners who had not formerly paid much attention to country music.

Three-Chord Songs

“You Are My Sunshine” by Johnny Cash almost lost its country-music identity when it was absorbed into the mainstream pop culture, and it is considered one of the state songs of Louisiana.
“All Summer Long” by Kid Rock is considered a country-rock song. It has been featured in a video game and was the official theme song for a World Wrestling Entertainment pay-per-view event.

Rhythm & Blues

The history of using the guitar when playing rhythm and blues can be traced back as far as the 1920s. Using the electric guitar became more popular in the 1940s. This popular genre features basic, yet complex grooves with a driving beat, muted strings, and a clean tone.

Two-Chord Songs

“Fallin” by Alicia Keys is about falling in and out of love with someone. It features a moderate blues tempo.
“Everyday People” by Sly and the Family Stone, the group’s first number one hit, calls for equality and peace between races and social groups.

Three-Chord Songs

“Just the Way You Are (Amazing)” by Bruno Mars is an R&B pop song that can be considered an ode to a woman’s beauty.
“Hound Dog” has been recorded over 250 times by a wide range of artists and is best known because of the Elvis Presley recording that topped US R&B, pop, and country charts.

Rock and Roll

Image: CC0 Creative Commons, Kaz, via Pixabay
Rock and roll music originated in the United States in the early 1950s. Its widespread popularity is partially due to how the music has drawn from such a wide variety of other musical genres, including rhythm and blues, folk and jazz. Many famous musicians who embraced rock and roll, such as Elvis Presley, Chuck Berry, and Little Richard, are still known for their iconic poses featuring their guitars. Rock music encompasses many subcategories such as psychedelic rock, progressive rock, glam rock, heavy metal, new wave, punk and alternative rock.

Two-Chord Songs

“Fire on the Mountain” by the Grateful Dead has been played at Dead shows since 1977 and appears on numerous albums.
“Jane Says” by Janes Addiction was inspired by the band’s namesake and is one of their most famous songs.  It often is the last song played at their concerts.
“Give Peace a Chance” by John Lennon is an anti-war song that was the first solo single issued by Lennon.
“Break on Through to the Other Side” by the Doors was the first single released by the band. The word “high” was deleted from many recordings before 1960.
“Born in the USA” by Bruce Springsteen was the title song on Springsteen’s most commercially successful album. This album was also the first compact disc manufactured in the US for commercial release.
“A Horse with No Name” was performed by the band America in the 1970s. It was banned by some radio stations at the time because of alleged references to drugs.

Three-Chord Songs

“The Tide is High” by Blondie was accompanied by a music video of lead singer Debbie Harry trapped in a flooding apartment while being monitored by a space alien.
“Glory Days” by Bruce Springsteen often takes listeners back to the glorious, youthful times of their high school days.
“Wicked Game” by Chris Isaak gained nationwide fame when it was featured in the David Lynch film, “Wild at Heart.”
“Walk of Life” by British band Dire Straits is one of the group’s most recognizable songs. At one time it was licensed to be used nationally in television commercials about a diabetes drug.
“Margaritaville” by Jimmy Buffet is named for the cocktail that the artist discovered in an Austin, Texas, bar. The song was inducted into the Grammy Hall of Fame because of its cultural and historical significance.
“Sweet Home Alabama” by Lynyrd Skynyrd was written in response to two Neil Young songs. Its misunderstood lyrics incited controversy about civil rights activism in southern states such as Alabama.

Other Three-Chord Songs for Easy Guitar Songs

Image: Creative Commons Attribution-Share Alike 3.0, Drew H. Cohen, via Wikimedia
“Beat It” by Michael Jackson was one of the popular singles that propelled the album “Thriller” into becoming the bestselling album ever. Eddie Van Halen’s guitar solo is reported to have caused a monitor speaker to catch fire during a recording session.
“Evil Ways” by Santana has been covered on numerous occasions and was named in movie credits for “The Fast & The Furious” and “Home for the Holidays”.
“Louie Louie” by The Kingsmen is about a Jamaican sailor returning to see his lady love on the island. As one of the most recognizable songs ever recorded, it almost became Washington’s state song and is the reason that April 11 is International Louie Louie Day.
“The First Cut Is the Deepest” by Sheryl Crow became one of her most popular radio hits in the early 2000s, and it was featured on hit television series “The Sopranos” and “One Tree Hill.”
“Brown Eyed Girl” by Van Morrison has been played more than 10 million times on American radio stations and is the most downloaded song from the 1960s.
“Chasing Cars” by Snow Patrol was referred to by the songwriter as the purest love song he’d ever written. It’s been featured on several American television shows.

Four-Chord Songs

“Hey, Jealousy” by the Gin Blossoms was once referred to as “manna for radio” in a Rolling Stones magazine review.
“Good Riddance (Time of Your Life)” by punk rock band Green Day did not originally include guitar. The string track was recorded separately while other band members were playing foosball.
“Fat Bottomed Girls” by Queen features the lead singer Freddie Mercury yelling, “Get on your bikes and ride!”
“Creep” by Radiohead was inspired by a girl that lead guitarist Jonny Greenwood followed around in England. Coincidentally, she did end up attending a Radiohead concert.
“Blitzkrieg Bop” by the Ramones features the chant, “Hey! Ho! Let’s go!” and can be heard at sporting events of all types. It sits at number 18 on the 2008 Rolling Stone Top 100 Greatest Guitar Songs of All Time list.
“Free Fallin” by Tom Petty was written about what Petty and collaborator Jeff Lynne saw when they were driving down Ventura Boulevard in and around Los Angeles, California.

Pop

Image: Creative Commons Attribution 2.0 Generic, Brothers Le, via Wikimedia
The guitar, one of America’s most popular instruments, has been prevalent throughout the history of pop music. The look is iconic, and the sound is unforgettable. While some pop music has veered away from guitar sounds, there are many examples of how guitars remain a staple in modern music.

Three-Chord Songs

“Marry You” by Bruno Mars is frequently used as a proposal song, with lyrics focusing on spur-of-the-moment marriage.
“Born This Way” by Lady Gaga, one of the best-selling singles in history, has been called a “club-ready anthem” with lyrics that address self-empowerment of minority groups.
“Uptown Funk” by Mark Ronson and Bruno Mars became a worldwide phenomenon after it was released in 2014. Its video has been viewed more than three billion times on YouTube.
“Hey, Ya” by OutKast was influenced by funk, rap, and rock music. The Polaroid Corporation used the song’s lyric, “shake it like a Polaroid picture”, to re-energize the public’s perception of its products.
“Red Red Wine,” originally written by Neil Diamond, was recorded by UB40 with a reggae-style beat. Diamond often uses the UB40 arrangement when performing the song at concerts.
“Wonderwall” by Oasis has been described by the songwriter as a song about “an imaginary friend who’s gonna come and save you from yourself.”

Four-Chord Songs

“The Winner Takes It All” was recorded by ABBA in the early ‘80s. The topic of this pop ballad reflects on the ending of romantic relationships.
“Pompeii” by Bastille is one of the English pop band’s most well-known international hits, with lyrics about the Roman town that met its fate when Mount Vesuvius erupted in 79 AD.
“Call Me Maybe” by Carly Rae Jepsen, the all-time fourth best-selling digital single, is about seeking the attention of a cute neighbor who is attracted to someone else.

Go Out and Play

According to some historians, people have been singing to guitar music in some form since ancient times. Playing the guitar can be a very rewarding experience, easy guitar songs can make you look like a pro. Bond with friends and family while playing and singing at social gatherings. Pick your favorite easy guitar songs from this list, practice for a few hours, and you’ll be the life of the party when leading the group in song at the next event.

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7 Vocal Warm Ups You Should Start Using Today

6 min read

A career in singing is much like a career in any other field: You start out by taking small steps and gradually climb your way to the top. One important step that many inexperienced singers tend to skip is the vocal warm ups, but just as an exercise routine is necessary to keep the body in shape, vocal warm ups are important to keep the voice in shape and functioning properly. What follows are some helpful vocal warm ups that you should get in the habit of using on a daily basis.

Why Are Vocal Warm-Ups Important?

Before you start your warm ups, you should understand why they are important:
Vocal warm ups help prevent acute injuries to your vocal cords.
A regular warm-up regimen helps keep your voice in shape and prevents damage over time.
Warming up right before a performance can help you prepare mentally as well as physically.
Singing may not seem very athletic, but it is as much a physical activity as running, swimming, or skating. Just as athletes demand a lot of the muscles in their arms, legs, and core, vocalists demand a lot of the muscles that they use to sing, particularly the vocal cords, but also the muscles of the face, neck, and abdomen. Athletes are at greater risk for injury if they don’t warm up and prepare their muscles before a competition; similarly, singers are at greater risk of vocal strain or acute injury if they do not warm up before a performance.
To become a runner, a swimmer, or a figure skater, you need to practice and train to build up your strength and ability over time, and it’s the same with singing. You wouldn’t try to run a marathon your first day out the door, would you? Of course not! Likewise, with singing, a regular warm-up routine will build your vocal strength and stamina gradually.

Reminder to prevent damage to your Voice

Image: CC0 Creative Commons, agnessatalalaev0 , via Pixabay
A healthy warm ups routine also helps you to prevent damage to your voice over time. To use another analogy, think of your voice like a car engine that needs regular maintenance, such as oil changes, to keep running at peak efficiency. If an engine doesn’t get regular oil changes, the moving parts rub up against each other, causing wear and tear, and will eventually give out. Your vocal cords are similar to the moving parts of your car: To produce sound, the vocal cords need to come in contact with one another. Vocal cords that are improperly maintained rub up against each other and cause wear and tear the same way that the moving parts of your car engine do.

What is Phonation?

Phonation (making sounds with your voice) requires intense vibration of the vocal cords, which are lined with a delicate tissue. If you don’t maintain your voice with exercise and hydration, the constant stress on the lining of your vocal cords can cause vocal nodules, calluses on your vocal cords that can prevent them from operating efficiently. Vocal nodules are a common medical complaint among singers, and the condition’s effect on a singing career can be devastating. Nodules can sometimes be treated with surgery, but the postsurgical recovery can take a long time, and many singers who have undergone it feel their voices are not the same afterward. Some singers report a loss of vocal range due to treatment for vocal nodules, while others have had to stop singing altogether. It’s best to prevent vocal nodules from forming in the first place, and vocal warm-ups are an important preventative measure.
The benefits of vocal warm-ups aren’t just physical, however; they’re mental too. Like other exercises, vocal warm-ups stimulate the production of endorphins, natural chemicals in your body that improve mood. Warming up before a performance can help you focus your mind and cope effectively with any anxiety or “jitters” that you might feel before performing.

Your New Vocal Warm Ups Exercise Regimen

Image: Creative Commons Attribution 2.0 Generic, Tulane Public Relations, via Wikimedia
Now that you know why you should  do vocal warm ups for your voice, you should next learn how. Your vocal cords are your “instrument,” but as you probably already know, there are other muscles involved in singing. Ideally, you should do vocal warm ups before a practice session or performance. The following exercises warm up the muscles of face all the way down to the abdomen.

1.Solfege

If you’re a beginning singer, the term “solfege” may be unfamiliar to you. “Solfege” is another word for the “Do, Re, Mi” scale demonstrated in the song featured in The Sound of Music. This is a basic exercise that helps train your ear to recognize the proper pitch.

2. Lip Trills

With your jaw relaxed, close your lips loosely together. Think of blowing bubbles underwater to create a buzzing sound. Start on a high-register note that you can sing comfortably. While buzzing your lips together, perform a vocal fall, or “glissando,” down one entire octave, then hold the bottom note for a few seconds. Take a deep breath and start again, this time one half-tone lower than you did before, and perform the same octave-long glissando. Continue in this way by half-tones until the low notes become difficult or uncomfortable for you to reach. If you are able to trill your tongue, as is done when pronouncing a double “R” in Spanish, that’s a variation that you can try to improve your vocal flexibility.

3. Sirens

In this exercise, you imitate the sound of a siren. Start with a low note that’s comfortable for you to reach and sing the syllable “oo,” making your lips into a very small “O” shape. Next, you have your choice of singing up the scale in an ascending arpeggio or doing a glissando up as far as you can comfortably go. Regardless of which you sing, as your pitch becomes higher, open your mouth wider, and as you come back down to the original note, close your mouth back down to an “oo.” Repeat the exercise, beginning one half-tone higher, and continue until the high notes become uncomfortable.

4. Abdominal Staccato

Open your mouth very wide and sing the syllable “haw” on an arpeggio. “Haw” may sound like a laughing syllable, and that’s a good concept to keep in mind as you cut off each note with your abdominal muscles. Keeping each note staccato, sing the arpeggio three times and then sustain the last note. Start again a half-tone up, and keep going as high as is comfortable. When you’ve gone as high as you can go, go back to where you started and begin the exercise again, this time going lower by half-tones until you can’t go any lower.
This exercise or vocal warm ups the diaphragm, which is crucially important because that’s where your breath should be coming from. If your vocal cords are your engine, oxygen is the fuel, and if you strengthen your diaphragm, you’ll never “run out of gas” in the middle of a song.

5. Vowel Runs

Vowel placement and shape are crucially important for proper singing, and this exercise helps you cultivate both, as well as breath control. In this exercise, you sing arpeggios again, but this time you go all the way up to the top of the scale and come back down again. For example, if you start at middle C, sing arpeggios up to the next C and then come back down to middle C. Start with the vowel sound “ah,” and go through your entire range by half-tones, then switch the vowel sound to “eh” and repeat the exercise. Do this for all the vowel sounds.
As a variation, you can do a different vowel sound for each note and even add a consonant sound at the beginning, for example, “Mah, Meh, Mee, Moh, Moo.”

6. Resonant Humming

This exercise is similar to the vowel runs discussed above, but instead of singing on different vowel sounds, you hum. As you hum, create as much space inside your mouth as possible while keeping your lips loosely closed. Your lips should be relaxed during this exercise; don’t try to clamp them shut. As you hum, you should feel your lips vibrating.

7. Tongue Twisters

Singing tongue twisters warms up the tip of the tongue and the teeth and the lips — which, by the way, is a tongue twister that you can use as a vocal warm ups. Tongue twisters can help with enunciation and dictation, which are important if you want people to understand the lyrics you’re singing. Any kind of tongue twister can work for this, but short phrases like “Red leather, yellow leather” or “Aluminum linoleum” may be best to start out with. Tongue twisters often work best with scales; pick whatever tongue twister you like and sing it on the first note of the scale, then repeat on the next note, ascending up and then descending down the entire scale. Go as slowly as you need to in order to pronounce the phrase correctly, making each syllable distinct. Gradually try to increase speed without sacrificing accuracy.
Just as exercise is necessary for a healthy body, warm-ups are necessary for a healthy voice. To prevent vocal damage, be sure to do your vocal warm ups every time you practice or perform.

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How to be Mentally Ready to Train Your Voice!

5 min read

Singing progress

I’ve recently completed some research as part of a Post Grad Certificate in Vocal Pedagogy with Voice Workshop and Cardiff Met Uni. (This is an amazing course, and I highly recommend it to any fellow Voice Geeks!) I was motivated to do this research as I wanted to have a better understanding of the ‘bad’ singing habits that I saw in my students. As a result, I can now help them move past them as quickly and painlessly as possible.

These habits included things like:

  • Speeding up when going for high notes or during trickier passages of singing
  • Exerting unnecessary amounts of muscular force (known by most as ‘straining’)
  • Language such as “I can’t do it!”
  • Pulling faces when singing, as if to communicate that they don’t like what they hear
  • Stopping entirely if they feel they aren’t doing well

In my day to day teaching I found that the singers who frequently engaged in these habits made slower progress and weren’t as adaptable when given verbal instructions.

For example, asking the singer who was straining to ‘relax’, didn’t help at all (and actually made us both more frustrated at times.) I knew that these singers hadn’t simply reached the peak of their singing ability, and I really felt that the key to their progress was somehow connected to their thoughts and focus.

Below I’m going to share with you some of the key points from my research so that you can put them into action in your own singing practice.

 

Human’s are wired with a tendency towards ‘end gaining.’

This means that we tend to focus so much upon our desired end goal that we lose sight of the method that will actually get us there.  In order to make progress in vocal training (and probably many other things) we need to focus consistently upon the method, no matter how removed it may seem from the end goal.

An example of this may be that for a singer who tends to strain, they may actually need to sing more quietly in order to reduce tension and develop more flexibility in their upper register. The end goal and the method are two separate things, and by sticking to a method, we are able to take tangible steps in the right direction.

 

SingingSinging is a sensory experience and learning to use your voice differently requires ‘implicit learning.’

Learning to sing is not the same as learning facts. You can’t intellectually will yourself to be able to do something with your voice. Vocal training requires awareness of how our body feels and moves, and getting a good handle on this is a gradual process.

I like to compare it to dieting – the process may require a lot of mental will power and you won’t see the results each time you turn down a doughnut, but if you persist there will be a moment down the line when you realise your clothes are too big/you are now smashing that high note that used to be impossible.

 

Our self image and our motor skills are inseparable entities.

Every time we learn a new motor skill, we are changing our brain’s sense of who we are. We can understand this better by thinking about when babies first develop the motor skills to touch their feet, or suck their thumb. Their anatomy hasn’t changed but their new motor skills have led them to discover a part of themselves that they were previously unaware of.

With each new movement, we are building a sense or ‘map’ of who we are, physically and mentally. Vocal training will require you to make sounds you haven’t heard yourself make before and move your body, mouth, face etc in ways you might not normally, and this can feel really weird at first!

 

How can I turn these into actions?

1. Commit to sensory learning

One way to be more in tune with your body is through the art Mindfulness. Being mindful and aware is hard, particularly if you have a tendency to be anxious, or if you have a job that requires you to think in a different way. However, it has been proven that singers who practice the art of Mindfulness are much better at correcting tensions within their own voice and will therefore progress more quickly in their training.

Recommendations:

Book – Mindfulness Plain and Simple, Oli Doyle

How to be Mentally Ready to Train Your Voice!How to be Mentally Ready to Train Your Voice!

Click the image for Amazon listing

App: Headspace

 

2. Trust. In the process, in yourself and in your teacher

If you find a great teacher (and stick with them) the only reason for you not to progress is if you don’t practice the exercises they give you, or if you give up entirely. There may be times when you doubt whether you are progressing and this is very normal. However, remember that emotions are subjective and are not an accurate gauge of how well you are actually doing.

 

3. Stick it out for longer by avoiding ‘black and white’ thinking

If you notice yourself having a thought such as ‘I can’t do it’ or ‘My voice is bad,’ change the thought to something more realistic such as, “I can’t do it yet” or “I don’t like xxxx about my voice, but I’m working on it.”

Recommended reading:

The Inner Game Of Music, W. Timothy Gallwey

How to be Mentally Ready to Train Your Voice!How to be Mentally Ready to Train Your Voice!

Click the image for Amazon listing

Cognitive Behavioural Therapy for Dummies, Rob Wilson

How to be Mentally Ready to Train Your Voice!How to be Mentally Ready to Train Your Voice!

Click the image for Amazon listing


Singing is an art form that requires training of both the body and the mind. By understanding this we can make the process of learning much quicker and more enjoyable. Try out the tips above and let me know how you get on!

How to be Mentally Ready to Train Your Voice!

Pop Music and People are my two greatest passions, and I take pride in offering a highly individualised approach to working with singers. In popular music there are no fixed rules as to how singers ‘should’ sound and I use my wealth of training in vocal science and technique in a creative way. I experienced vocal difficulties after completing my undergraduate vocal studies and as a result took a break from singing. Although I missed it terribly, this break gave me the opportunity to explore my passion for working with people with Learning Disabilities and subsequently became a Person Centred Planning Specialist. This experience has undoubtedly had impacted upon my coaching style, allowing me to offer unique and in-depth support to all of my singing clients.
As an Authorised Instructor for Vocology in Practice, I am committed to offering the highest standards of vocal training to my students, and consistently furthering my own development as a singer and a vocal coach. In my spare time I can be found singing power ballads, doing yoga (badly) and mooching around coffee shops.

Gemma Milburn

Gemma Milburn

Pop Music and People are my two greatest passions, and I take pride in offering a highly individualised approach to working with singers. In popular music there are no fixed rules as to how singers ‘should’ sound and I use my wealth of training in vocal science and technique in a creative way. I experienced vocal difficulties after completing my undergraduate vocal studies and as a result took a break from singing. Although I missed it terribly, this break gave me the opportunity to explore my passion for working with people with Learning Disabilities and subsequently became a Person Centred Planning Specialist. This experience has undoubtedly had impacted upon my coaching style, allowing me to offer unique and in-depth support to all of my singing clients.
An an Authorised Instructor for Vocology in Practice, I am committed to offering the highest standards of vocal training to my students, and consistently furthering my own development as a singer and a vocal coach. In my spare time I can be found singing power ballads, doing yoga (badly) and mooching around coffee shops.

Gemma Milburn

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Scottish aristocrat warns divorce tourism across the border will soar after ex-wife was allowed to fight for a slice of his fortune in England

1 min read The legal battle is the first reported cross-border case under EU Maintenance Regulation, introduced in 2011, which...

Council drops bid to take children of two known Islamist extremists into care Council drops bid to take children of two known Islamist extremists into care
Health1 week ago

Council drops bid to take children of two known Islamist extremists into care

1 min read The mother was said by police to be an active member of a women’s circle closely associated...

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